Comme des Frères - Film Review

Buddy-Comedy-Road-Movie-with-added-cathartic-death is perhaps an underpopulated genre of film. Between drunken stumblings and snap decisions to drive to Corsica, your three lead males from different corners of life have to calm down every now and then just enough to remember your lead female, tragically deceased. Don't worry, this isn't a spoiler- you'll find out as much from AlloCine's page on the film. Point is, you might not get much more from the film itself.
Bitter and sweet are put very, very close together in this coming-of-age-slash-putting-feet-on-the-ground tale of three friends united by their love, platonic or not, of Charlie (Mélanie Thierry), the vibrant sister-mother-lover of every Frenchman's dreams, with whose funeral the film opens. So our three musketeers Elie, Boris and Maxime (Nicolas Duvauchelle, François-Xavier Demaison, Pierre Niney) then decide to leap into a car and take the holiday they'd always planned with their fourth musketeer, and cue the road-movie soundtrack. Some really stunning cinematography makes up for the fact that we're really relying on music and moody driving to tell most of the emotional story, these being men, and all that.
What sets this film apart, and probably what won director Hugo Gélin a major film festival award as well as six other nominations, was the backwards storytelling which brings the film to a close. Throughout their travels, flashbacks show us the friendship each of the men had with Charlie, each time progressively further and further back in time, until we reach the night they met. Awkwardly standing at a party, each staring at Charlie, they seem a long way from Corsica and a long way from the deep connection that now holds them "like brothers".

Comments

Writing CV

Let's talk: jenni.ajderian@gmail.com Mild-mannered professional Linguist by day, crime-fighting writer and editor by night. Currently protecting the mean streets of Dublin from bad content. "She's one of the good ones" - FringePig "Best. Review. Ever." - @ObjectiveTalent "This interview has won #edfringe" - @FredRAlexander "I think this is the nicest review I've ever received." - @DouglasSits "Do you give lessons? Jus askin..." - @RockyFlintstone FedEx Digital Infinite Beta blog - 2017 I worked with FedEx Digital as a Technical Copywriter (more info on my LinkedIn Profile ) and produced sassy content for their Infinite Beta blog. The tone here is informal and personable, the aim being to show some personality and attract future team members to the company. How to explain your job title Automated content checkers Technology predictions for 2018 (I wasn't too far off) 3di Technical Commu...

Calgary, Alberta

Yesterday I ran around the city a bit, trying to see as much as possible for as little as possible... It was hard. The walk from Sean's place in Renfrew was long but scenic. Cold and crisp, Calgary did turn out to be mostly suburb, with a pretty concentrated centre with all your usual tourist hangouts just south of the Bow river where a lot of money can be spent very easily. Like $14 for going up Calgary Tower, $9 for a student ticket to the Glenbow Museum, and all those malls! They're all interconnected, so you could probably walk from shop to shop most of the way across the city without having to see sunlight. This is probably the idea behind the Plus Fifteen, too- a heated walkway above the streets so the Calgarians don't have to freeze in winter. The Glenbow offered your normal mix of traditional art, weird modern stuff, rooms full of the extensive and glorious history of Alberta, all 150 years of it,...

You Say It Best...

(originally published by The Student ) Watch any western, any black-and-white adventure film, any rags-to-riches adaptation, and you'll realise we've seen this all before. The guy gets the girl, the evil tyrant falls and the True King rises, be it Middle Earth or the Mid-West. We've seen these scenes repeated across time and space, and we know how it goes. Without the speech, the scene still goes the same way. New film The Artist proves this, without saying a word. Aside from the picture-perfect cast and a dog which will reach cult celebrity status any day now, the film addresses the transition between '20s movies and '30s talkies, and a sparse use of sound which offers a challenge to the film-makers. In one scene, uncharacteristically static, a pair of old friends meet and greet, swap stories, laugh- the details, irrelevant, are replaced by an emotive score and some close camera-work, all of which makes us feel no less connected to the...

Jenni Ajderian

Search This Blog