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Writing CV

Mild-mannered professional Linguist by day, crime-fighting writer and editor by night. Currently protecting the mean streets of Dublin from bad content.


"She's one of the good ones" - FringePig
"Best. Review. Ever." - @ObjectiveTalent
"This interview has won #edfringe" - @FredRAlexander
"I think this is the nicest review I've ever received." - @DouglasSits
"Do you give lessons? Jus askin..." - @RockyFlintstone

FedEx Digital Infinite Beta blog - 2017
I worked with FedEx Digital as a Technical Copywriter (more info on my LinkedIn Profile) and produced sassy content for their Infinite Beta blog. The tone here is informal and personable, the aim being to show some personality and attract future team members to the company.

3di Technical Communications - 2014 to 2016
I worked with 3di as a Technical Writer (more info on my LinkedIn Profile) and produced marketing content for their blog. These articles are now attributed to someone else, which is a bit cheeky.

The Skinny - 2011 to present
Unofficial titles include 'Alpha-writer', 'Senior Section Writer' and 'Han Solo'. Comedy reviews, previews, interviews, and the odd foray into Tech and Magic in one of Scotland's best and most widely-read cultural magazines.

Quill - Global Content Creators - 2014
SEO Copywriting for online platforms. Editorial blog posts, brand descriptors, Careers outlines and holiday destination guides written to house style and with keywords implemented as per the brief.


Student writing - 2010 to 2014

Editing - 2013 to 2015
  • Broadway Baby - Comedy editor, Edinburgh Festival Fringe 2013
  • EUSci - Copy editor, 2013-2015
  • Peer Proofreader for non-native English speaking student essays - 2014
Other
My broad interest in messing about with words led me to learn French both in English schools and Provençal farm-houses. I am working on my knowledge of Machine Learning, Python, SQL and bouldering. I do not actually fight crime.

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Populaire - film review

     In the 50s, having a job as a secretary may have been considered modern, or even empowering, but mostly, as Rose Pamphyle (Déborah Francois) says in her job interview, it's the chance to work for an important man. Seen in this light, the rise and fall of a Speed-Typing champion is just as much to do with a woman's personal victory as it is to do with her boss' encouragement and coaching, as well as the freedom he allows her to have.      In the film, and in life, the Speed-Typing Championship probably stemmed from a cigar-fuelled "I bet my secretary types faster than yours" argument, and the exclusively female competitors inhabit a space somewhere between real sportsman(woman?)ship and simply being allowed to play. The rocky ground of post-war sexual power-play is tested with bright colours and the happy clack-clack of a typewriter, and leads us somewhere a little more patronising than first-time director Regis Roinsard may have been hoping for. ...

Howling Moon

Fairytales grow up. They grow deeper, darker and stronger. Our heroine is no longer a scared little girl but a stoic woman who insists she is neither lost nor tired. Maggie, part realist, part sleeping child, is woken by a spellbinding fox, surrounded by weeping trees and mocked by a trio of birds. A dreamlike world is created under Soco's flaky ceiling by an earnest cast who take the idea of physical theatre and use it tastefully, and not so much that it should scare away fans of traditional theatre. Seated on camping chairs, we are taken through the forest and into the sky, through suffering and away from the howls of the wolf. Strange and beautiful, touching and magical. **** Flyaway Theatre, C Soco, 3 – 29 Aug (not 15, 22), 2:00pm (3:15pm), £6.50 - £9.50 [originally written for ThreeWeeks magazine]