Skip to main content

Things that make you go vroooommm

     Aix is a tricky city to drive in. The trademark French winding cobbled streets and semi-pedestrianised alleyways which turn into markets three days a week can't be an easy thing to steer a ton of metal down, even on a lazy wednesday. So it's not surprising that there are a lot of bikers here- and before they all go into hibernation for winter (which, oddly, has not happened yet. It's mid-November) I thought I'd give them a little showcase



      As well as the beautiful tourers and big macho bikes are the little girly scooters that whizz around Europe whatever country you happen to pick. If anything these seem more appropriate here for inner-city driving, as usually bikers (scooterers?) are going at near-walking pace to weave in and out of pedestrians and nip in front of the white vans and lorries which still seem to manage to negotiate Aix's streets.


     But what's really got me interested are these little things- at about waist-height, they look like electric bikes or baby motorbikes, and are pretty popular around here. Most are 50cc but this one claims to be 125cc, and must go like greased lightning when it gets the chance. Being so light on their own they can really get a move on until they reach a top speed of about 60mph, which to be fair is as much as I could get my Honda CG to do back home.


     A friend who lived here when she was younger once pointed out a bent 'no cycles' sign, some ten feet off the ground, bent almost in half because her dad had nicked it with the edge of his delivery lorry. A decade ago.
      So with this kind of inner-city driving, you're unlikely to reach break-neck speeds, so it's a common sight to see these little bikes bumbling along with one or more passengers, with optional bags of shopping and safety gear slowing the wee thing down a bit.



 

     They are quite cute, though, pretty much stocking-sized. I might put one on my Christmas list.

          And look! Pink!
Now the whole family can have one!

Comments

Popular posts from this blog

Populaire - film review

     In the 50s, having a job as a secretary may have been considered modern, or even empowering, but mostly, as Rose Pamphyle (Déborah Francois) says in her job interview, it's the chance to work for an important man. Seen in this light, the rise and fall of a Speed-Typing champion is just as much to do with a woman's personal victory as it is to do with her boss' encouragement and coaching, as well as the freedom he allows her to have.      In the film, and in life, the Speed-Typing Championship probably stemmed from a cigar-fuelled "I bet my secretary types faster than yours" argument, and the exclusively female competitors inhabit a space somewhere between real sportsman(woman?)ship and simply being allowed to play. The rocky ground of post-war sexual power-play is tested with bright colours and the happy clack-clack of a typewriter, and leads us somewhere a little more patronising than first-time director Regis Roinsard may have been hoping for. ...

Writing CV

Let's talk:   jenni.ajderian@gmail.com Mild-mannered professional Linguist by day, crime-fighting writer and editor by night. Currently protecting the mean streets of Dublin from bad content. "She's one of the good ones" -  FringePig "Best. Review. Ever." -  @ObjectiveTalent "This interview has won #edfringe" -  @FredRAlexander "I think this is the nicest review I've ever received." -  @DouglasSits "Do you give lessons? Jus askin..." -  @RockyFlintstone FedEx Digital Infinite Beta blog  - 2017 I worked with FedEx Digital as a Technical Copywriter (more info on my  LinkedIn Profile ) and produced sassy content for their Infinite Beta blog. The tone here is informal and personable, the aim being to show some personality and attract future team members to the company. How to explain your job title Automated content checkers   Technology predictions for 2018  (I wasn't too far off) 3di Technical Commu...

John Robertson's The Dark Room

     If the Edinburgh Festival Fringe is about letting the little guy play with the big guys, about innovation and creativity, about finding a show that at first baffles and then delights, then this is the perfect Fringe show. Based on a text-based Youtube game which swiftly went viral, John Robertson brings us his live version of an eighties' low-budget video game.      It is unlike anything else on the Fringe this year. It relies heavily on audience participation but even more so on Robertson's own wit and the strength of the prepared game screen-shots. It is wonderfully well made and self-consciously low-budget. Prizes range from ancient computer games to rubber gloves and considering the fact that every Fringe contains more Shakespearian adaptations than you can wave a ruff at, it is mind-bendingly awesome that this exists in the first place.      A few minutes' introductory stand-up sees Robertson leaping across the stage in leat...