Skip to main content

Three Days

     This time last year I spent my August running around Edinburgh reviewing Fringe Festival shows for the free publication Three Weeks- a kind of pop-up magazine custom built for the Fringe that endeavors to cover everything listed in the festival programme, from free one-man-shows to Ukelele orchestras, Shakespeare to Interpretive Dance and huge exhibitions at the National Gallery. In exchange for free tickets I turned in a total of 68 painstakingly hand-crafted reviews, got about seven hours' sleep a week and ruined a pair of converses staggering across cobbled streets through sun, wind, rain, slush, insistent flyerers and rumors of a Londonian riot.
     This year, I'm in Edinburgh for a scant three days at the start of the festival, but last year's old habits die hard.  In lieu of the aforementioned free writing gig, I give you Three Days of the Fringe, where I will attempt to sample the comedic essentials as much as possible.
To get a good taste of the Comedy side of the Fringe we need to tick a few boxes. Shows fall into certain categories, and unless you only want to see your headliners and have absolutely no surprises or delights (snore) we have to delve into the midst of the programme.
     Shows can be-
Free, Sketch, Stand-up, Improv, Play, Chat, Magic
     Performers can be-
Newbies, Oldies, Women, Headliners, Locals, Home-town heroes (eg from Bristol, my hometown)
     The experience itself can be-
Expected, Surprise, Disappointment, or a Favourite

Labels:

Comments

Post a Comment

Popular posts from this blog

Writing CV

Let's talk:   jenni.ajderian@gmail.com Mild-mannered professional Linguist by day, crime-fighting writer and editor by night. Currently protecting the mean streets of Dublin from bad content. "She's one of the good ones" -  FringePig "Best. Review. Ever." -  @ObjectiveTalent "This interview has won #edfringe" -  @FredRAlexander "I think this is the nicest review I've ever received." -  @DouglasSits "Do you give lessons? Jus askin..." -  @RockyFlintstone FedEx Digital Infinite Beta blog  - 2017 I worked with FedEx Digital as a Technical Copywriter (more info on my  LinkedIn Profile ) and produced sassy content for their Infinite Beta blog. The tone here is informal and personable, the aim being to show some personality and attract future team members to the company. How to explain your job title Automated content checkers   Technology predictions for 2018  (I wasn't too far off) 3di Technical Commu...
Post a Comment
Read more

Populaire - film review

     In the 50s, having a job as a secretary may have been considered modern, or even empowering, but mostly, as Rose Pamphyle (Déborah Francois) says in her job interview, it's the chance to work for an important man. Seen in this light, the rise and fall of a Speed-Typing champion is just as much to do with a woman's personal victory as it is to do with her boss' encouragement and coaching, as well as the freedom he allows her to have.      In the film, and in life, the Speed-Typing Championship probably stemmed from a cigar-fuelled "I bet my secretary types faster than yours" argument, and the exclusively female competitors inhabit a space somewhere between real sportsman(woman?)ship and simply being allowed to play. The rocky ground of post-war sexual power-play is tested with bright colours and the happy clack-clack of a typewriter, and leads us somewhere a little more patronising than first-time director Regis Roinsard may have been hoping for. ...
Post a Comment
Read more

Howling Moon

Fairytales grow up. They grow deeper, darker and stronger. Our heroine is no longer a scared little girl but a stoic woman who insists she is neither lost nor tired. Maggie, part realist, part sleeping child, is woken by a spellbinding fox, surrounded by weeping trees and mocked by a trio of birds. A dreamlike world is created under Soco's flaky ceiling by an earnest cast who take the idea of physical theatre and use it tastefully, and not so much that it should scare away fans of traditional theatre. Seated on camping chairs, we are taken through the forest and into the sky, through suffering and away from the howls of the wolf. Strange and beautiful, touching and magical. **** Flyaway Theatre, C Soco, 3 – 29 Aug (not 15, 22), 2:00pm (3:15pm), £6.50 - £9.50 [originally written for ThreeWeeks magazine]
Post a Comment
Read more