Skip to main content

Duck Hunt at Rhubaba Gallery

(originally published by The Student)

     There's a real air of nostalgia in Rhubaba's tiny warehouse-gallery in Leith. Corrugated iron doors and white-washed walls are made homely by the sheer amount of sound coming from the installations and the street outside. Art made from tin cans and magazine collage provides a hopeful, home-made feeling and something every visitor can recognise.
     The launch last Saturday of Rhubaba's latest occupation by InterCity MainLine (ICML) was nearly rained off. Co-director Rachel Adams explained that “turn-out wasn't as good as we were hoping because of the weather. But it turned into more of a fun experiment this way” , and the Watercolour Challenge paintings made by members of the public will be put into ICML's next Edinburgh-based zine publication.
     ICML's five artists, each originating from Bristol, like to explore, share ideas and experiences of different cities, then collaborate to form art like the zine and Duck Hunt.
Rhys Coren's OO shows two TV screens showing flickering, brightly-coloured drawings to an energetic soundtrack which makes it seem like we're watching the opening credits of a Saturday morning cartoon. From across the gallery comes the cacophonous sounds of Myles Donaldson's work which has to be reached by climbing a set of wooden stairs. At the top we don't find some kind of monster making the noise, but a nine-framed video of children playing with hoovers, a surprising instalment which verges on the whimsical. These two pieces in particular bring back memories of home videos, lazy weekends as a child with nothing to watch, and the eighties childhoods of all five artists.
     From the flourescent light made of Red Stripe cans that makes Jamie Bracken Lobb's Not Just Wizards Carry Staffs to Tom Hobson's cut-and-stick Towards the Great Untrodden Summit, Duck Hunt shows us an exploration of the near-past which is referential, adaptive, and most importantly, understandable to the viewing public. Don't let the corrugated iron doors fool you- this is a whole-heartedly friendly gallery.

Comments

Popular posts from this blog

Populaire - film review

     In the 50s, having a job as a secretary may have been considered modern, or even empowering, but mostly, as Rose Pamphyle (Déborah Francois) says in her job interview, it's the chance to work for an important man. Seen in this light, the rise and fall of a Speed-Typing champion is just as much to do with a woman's personal victory as it is to do with her boss' encouragement and coaching, as well as the freedom he allows her to have.      In the film, and in life, the Speed-Typing Championship probably stemmed from a cigar-fuelled "I bet my secretary types faster than yours" argument, and the exclusively female competitors inhabit a space somewhere between real sportsman(woman?)ship and simply being allowed to play. The rocky ground of post-war sexual power-play is tested with bright colours and the happy clack-clack of a typewriter, and leads us somewhere a little more patronising than first-time director Regis Roinsard may have been hoping for. ...

The "9ème art" of the Graphic Novel

Images from the Cité du Livre website Festival de Bande Dessinée, Cité du Livre, Aix-en-Provence For some reason I've never been here before. For some reason it's taken this bibliophile seven months to figure out that there is a place in Aix-en-Provence devoted to literature, a place whose name in Google Translate produces variations on the theme of Book City, Book Estate and Book Ghetto. The books, they are huge. We have discussed before how I feel about books. Books which I recently blabbered about in a vlog are here reproduced in thirty-foot-high concrete form and act as a simple external wall to the Book Ghetto. They are huge. I felt a few tears when I first saw them. Hidden unjustly away behind the gare routière , the Cité du Livre played host this month to a graphic novel festival whose speakers ranged from authors to graffiti artists, and whose slightly shabby walls were transformed into booths full of first drafts, coloured panels and authors' not...

Tinchi Shinmei - Wadaiko Tokara

Scotland is not a hotbed for Japanese music, so Art Lee and his band of traditional Taiko musicians take time out of their set to give us a background of their art, before launching into an adaptation of Bach or songs from a Japanese coffee machine. In the day time Ocean shows, three musicians play with absolutely serene faces and powerful movements reminiscent of martial arts, while the Mountain shows in the evening feature talented drummers using simplistic instruments that resonate beautifully in this historical Prince's Street Church. Peaceful, meaningful music with a purpose, from prayer to celebration, is played alongside Tango or Rumba music, showing the versatility of instruments and musicians alike. **** St John's Church, 5 – 29 Aug (not 11, 18, 25), times vary, £10 - £12 [originally written for ThreeWeeks magazine]