There are few things for which someone with a hangover as bad as this will trudge through the rain, and fewer still which take place in a converted church. But this band, this particular combination of formidable horn section, guitars, drums, orange beanie hats and dual vocalists, has proven itself all over Edinburgh throughout the festival and beyond. The Victorian Trout Conspiracy , a group made up of too many locals to count, begin their set with a wall of sound that dissolves into higher, janglier stabs on that lead guitar. As the beat picks up, its player, Fraser, pumps his legs up and down, bassist Calum becomes a swirl of hair and the whole front line is a blur of moshing, jumping musicians, and suddenly sleep deprivation and the Hive's unidentifiable gunk are things of the past. The music is stompable, danceable, chantable, shoutable, and soon the Tron church is full of early drinkers and tourists curious about the noise, all of them sm...